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A PAINTED HOUSE
John
Grisham
Doubleday
Fiction
ISBN: 038550120X
Read
an Excerpt
It
is with complete understatement that I call John Grisham's
latest novel a sharp departure from the legal thriller genre
his name has become synonymous with. Inspired by events in
Grisham's own childhood, A PAINTED HOUSE is the story of the
Chandlers, a 1950s Arkansas farming family, as told through
the eyes of seven-year-old Luke. While drama, tragedy, and
injustice abound, there is not a lawyer or courtroom to be
found in the entire narrative. Is this new, more literary
Grisham to be taken seriously? Actually, yes.
The year is 1952, harvest season, and like other farmers in
the area the Chandler family cannot harvest their cotton crop
alone so they employ migrant farm workers from Mexico and
the hills of Arkansas. It is not long before these people
become part of the Chandler family and the larger farming
community. Everyone, including little Luke, labors side by
side, doing the backbreaking work required to pick 80 acres
of cotton.
As the season progresses, their lives become intimately entwined.
Despite anger, fear, and grueling work, some manage to fall
in love and continue to hope. One of the few diversions from
the rigors of farm life is the ritual weekend sojourn into
Black Oak --- the highlight of an otherwise tedious week.
It is in town that people fall in love, fight and come together
with their neighbors to discuss the weather (a topic of utmost
importance to farmers.)
Against a backdrop of sweltering heat, torrential rains, exhausting
work, and flaring passions, Luke observes all that is going
on around him and tries his best to understand the complicated
circumstances in which adults find themselves. He struggles
to understand his grandparents' devotion to the precarious
world of farming and his mother's dream of one day living
in "a painted house" (as opposed to a run-down farmhouse),
far removed from the uncertain lifestyle that farmer's lead.
In this tale, Grisham paints a vivid portrait of not just
farming life and the Chandlers, but of those who dream and
the sacrifices they make to see those dreams reach fruition.
Indeed, some of the images he brings to life will remain with
the reader long after they have put A PAINTED HOUSE back on
the shelf --- like that of young Luke picking row after row
of cotton in the blistering sun with no end in sight, contrasted
with the image of him playing baseball with the hired workers.
Perhaps it's because I'm a city kid, unable to fathom a seven-year-old
working in the fields for eight hours, that I find this book's
imagery so compelling…though more than likely it's because
Grisham's personal connection to the story aids him in making
everything so felt and real. "Write what you know, " isn't
that what they always say?
Grisham also does a wonderful job of developing his ancillary
characters, from the proud and determined grandfather whose
only hedonistic activity is listening to baseball (specifically
the St. Louis Cardinals), to Tally, a young itinerant worker
who risks everything to escape a life she believes holds no
promise.
For those Grisham devotees hesitant to read to book that does
not revolve around the nefarious doings of lawyers and clients,
I suggest you give A PAINTED HOUSE a try. For those who generally
hate Grisham and his empire of guilty pleaures, I still suggest
you give A PAINTED HOUSE a try. Far less formulaic than, say,
THE CLIENT or THE CHAMBER, Grisham's first attempt at serious,
literary fiction --- while still a long way away from taking
home the Pulitzer --- may just surprise you.
--- Reviewed by Katie Brennan
(c)
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